
My first signing, thanks to the generous folks at Muse Comics & Games. And issue #2 of Blood and Thunder hit stores today.

At long last!

My contibution to the issue was very small (a handful of panel revisions and a few fill-in pages), but my work is in there and the book should be in stores soon. I'll post when the issue is released, but in the meantime you can find more info here and here on the Boom! webpage. Also, a trade collection of the entire series is available for pre-order from Amazon.
Well, so far so good, though there's not much to report yet. I'm into layouts and character design and having a lot of fun with the material. After Checking with Boom! the word from on high is that I should reveal as little as possible before anything is actually in print. Perfectly understandable of course, but it means I'll have a bit less to put up here than I'd planned. For the mean time I'll be throwing out the occasional warm up-type sketch as seen above. The sketch today isn't anything that's actually going to end up in the comic, just a quick Ork study so I can get a better grasp of the nasty buggers. 
Late February of this year I did another project for Workaholic Productions who produced the Sharpshooters documentary that I worked on last year. This time the subject was the Big Bang Theory. A segment of the show was based around the idea of Einstein’s World, a mix of a carnival side show and theme park that focused on Einstein’s theories and scientific breakthroughs. I was contracted to do up two paintings to be used as props onscreen. This was a bit daunting, as I hadn’t painted on canvas in over ten years and I’d have to create two large (I think they were about 3’x4’ or so), camera ready paintings in a very short time. Still, I took the challenge as it sounded like fun, and I had a blast. This was easily some of the most rewarding work I’ve done in awhile, and reminded me how much I enjoy painting on canvas. If I had it to do all over again the only
thing I’d change would be to work in oil instead of acrylic. I’d never worked with acrylic and it was a bit frustrating as the paint is so thin and dries so quickly. While I know there are ways to do so, in the short time I had I couldn’t really figure out how to mix and blend the colours on the canvas and build them up in the manner I was used to. Instead I went for a layered colour approach, which is a bit crude but actually fit with the intended look very well. And despite the minor frustrations, I’m very pleased with the results. I don’t have much information on the show besides the fact that it should air on the History Channel sometime in September or August, but I’ll post an update when I have it.
That's what Samantha and I were doing and we had a blast. Christmas and New Years in Montana were very appropriately cold and white, a welcome change from the brown and balmy California Christmases of recent years. Samantha and I have had a good, though often stressful year. Christmas marked the end of our first year with Violet, from a tiny, yet to be discovered fetus to her current teething, gurgling, often fussy but ultimately charming form.
This was a little Christmas present I made for Samantha, an attempt to capture a moment from mother and daughter's first night together.
And this was done when Violet was just ten days old on a car ride into town. If you're feeling generous and wish to add to the diaper and formula fund both of these pieces can be purchased as prints.

